Free to a good home

Dreamed this one last night–good idea for a scifi crime novel, but of course it’s not my job to write such things.

Society in which some people have been born with the Gift, some set of psychic skills which include ESP, mind-melding, pyschokinesis, the usual.  Society as a whole has come to depend on these people to regulate the social mechanisms, and by some fluke of genetic luck, all Gifters are of the sort who contribute positively to the effort.

One Gifter is examining a serial criminal–and here I wish I could remember exactly what the crime was, because it made perfect sense, but I forgot it between one dream session and the next–and is astounded to find that the guy has the Gift–but shouldn’t.

There followed, depending on the dream session, investigations into how he got that way, whether there were others, whether there was an organizing force behind the surreptitious Gifting, the threat to society as a whole and Gifters in  particular, etc., etc.

There you go.  Run with it.  Write me a nice check from your royalties.

L.10.5: Lyles

Looking with dismay at the role of adventurer? Disappointment with a gift of haberdashery? Disbelief at the weak protection from the sun afforded by a cheap imitation pith helmet?

Used for “Fear & Loathing in Kilimanjaro,” Esquire.

(Should have made more sure of a blank background.)

Towards an aesthetic

What with my reading of Opening to Inner Light and other tasty books, I know we’re heading towards a fireside discussion more meaty than we’ve had in a while, but I think this bit may not be able to wait.C4090-456

Yesterday, as I mindlessly surfed the intertubes, I came across this site: ugliesttattoos.com.  It is OMG•NSFW, so I’ll provide a couple of samples here and links to particularly egregious examples. [NSFW!!!]

Those should suffice.  The entire website is jawdroppingly, gobsmackingly, entirely like these samples.  Only much, much worse.  Much, much, much worse.

I like tattoos.  I have a couple myself and wouldn’t mind one more, if I were allowed.  And I find them to be fascinating body modifications on others in most circumstances.  But honest to God, I came across very few tattoos on this site that I was able think, “Wow, that’s cool/beautiful/transgressive/sexy.”  They were all grotesque.  (I did like this one. [SFW, if weird])

So in our neverending discussion of “What is art?”, I’d like to ask in the immortal acronym embodied above, “WTF?”  How are we to fit these manifestations of our creative imperative into the schema of that imperative?  (I’ve tagged this with the Corroborative Evidence category; is that where we are with this?)C4090-455

Discuss.

Assignment L.10.5

I don’t think this one is too labor-intensive, but given this organization’s intense laziness recently…

Go to Awkward Stock Photos.  Get the feeling, the flavor, the je ne sais quois of the place.

Create your own.

Post here in a separate post.  Explain it.

ALTERNATE ASSIGNMENT: Steal one of the ones there and create a post (magazine article, blog post, something) that would attempt to use such a thing.

Ware!

This is genius.  It’s a passage from Middlemarch, describing Mr. Casaubon, a middle-aged cleric whose life-work has been writing a Key to All Mythologies, apparently a syncretic work which will Explain It All once and for all.  He has yet to publish the work or even come close to tying it all up in any kind of coherent package.  He has recently married Dorothea Brooke, a young, pretty, pious, and educated young woman who thinks she will find happiness assisting him in his labors.

Read it, and read it carefully.  Respond in comments.

He had not had much foretaste of happiness in his previous life. To know intense joy without a strong bodily frame, one must have an enthusiastic soul. Mr. Casaubon had never had a strong bodily frame, and his soul was sensitive without being enthusiastic: it was too languid to thrill out of self-consciousness into passionate delight; it went on fluttering in the swampy ground where it was hatched, thinking of its wings and never flying. His experience was of that pitiable kind which shrinks from pity, and fears most of all that it should be known: it was that proud narrow sensitiveness which has not mass enough to spare for transformation into sympathy, and quivers thread-like in small currents of self-preoccupation or at best of an egoistic scrupulosity. And Mr. Casaubon had many scruples: he was capable of a severe self-restraint; he was resolute in being a man of honor according to the code; he would be unimpeachable by any recognized opinion.

In conduct these ends had been attained; but the difficulty of making his Key to all Mythologies unimpeachable weighed like lead upon his mind; and the pamphlets–or “Parerga” as he called them–by which he tested his public and deposited small monumental records of his march, were far from having been seen in all their significance. He suspected the Archdeacon of not having read them; he was in painful doubt as to what was really thought of them by the leading minds of Brasenose, and bitterly convinced that his old acquaintance Carp had been the writer of that depreciatory recension which was kept locked in a small drawer of Mr. Casaubon’s desk, and also in a dark closet of his verbal memory.

These were heavy impressions to struggle against, and brought that melancholy embitterment which is the consequence of all excessive claim: even his religious faith wavered with his wavering trust in his own authorship, and the consolations of the Christian hope in immortality seemed to lean on the immortality of the still unwritten Key to all Mythologies. For my part I am very sorry for him. It is an uneasy lot at best, to be what we call highly taught and yet not to enjoy: to be present at this great spectacle of life and never to be liberated from a small hungry shivering self– never to be fully possessed by the glory we behold, never to have our consciousness rapturously transformed into the vividness of a thought, the ardor of a passion, the energy of an action, but always to be scholarly and uninspired, ambitious and timid, scrupulous and dim-sighted. Becoming a dean or even a bishop would make little difference, I fear, to Mr. Casaubon’s uneasiness.

Doubtless some ancient Greek has observed that behind the big mask and the speaking-trumpet, there must always be our poor little eyes peeping as usual and our timorous lips more or less under anxious control.